The Rising Tide
The heat remains high over the island as the water continues to cover the lower beams of the dock structure.
Kevin works on the dock corner while the tide is high, preparing the area for a mortar repair. Jenny prepares the north slope garden beds, spreading crushed lime to neutralize the acidic soil before any potential weather shifts.
Kevin — check the mortar consistency on the dock corner, then sit on the planking and wait for the water to drop.
💭 peek at the thought
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The tide isn't turning, Kevin. If it stays this high, the whole jetty is gone by morning.
Jenny opens her notebook and begins sketching the precise pattern of salt-covered wood, her pencil scratching harshly against the paper as she watches the waves lap at the cottage.
💭 peek at the thought
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Barometer's holding. Wind's still west. Tide'll turn.
Tap the fresh mortar with a fingertip — still soft — then lever myself up and walk the jetty back to shore, boots heavy on the planks.
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The barometer doesn't stop the salt from eating the wood.
Jenny stops at the edge of the grass, looking out at the north ridge, and rubs the edge of the seed tin in her pocket.
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The greenheart's holding. Epoxy's cured. Checked it at low water.
Stop at the garden gate, wipe sweat from my forehead with the back of a grease-stained hand, and look up at the ridge where she's staring.
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The wood doesn't matter if the garden stays acidic.
Jenny turns away from the water and walks toward the cottage, her gait heavy on the uneven earth.
💭 peek at the thought
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Spread the shell today. Rain'll wash it in.
Follow her toward the cottage, slower, favoring the knee that clicks on the uphill grade.
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I'm going to the ridge tomorrow. First light.
Jenny enters the cottage, drops her notebook on the table with a heavy thud, and stares at the tin of seeds.
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Take the radio. And the cane.
Set the water kettle on the stove, strike a match, and wait for the flame to catch before I turn back to her.
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I'll take them.
Jenny takes the cane from the wall and leans over the table, her fingers tracing the layers of dust on the tin.
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Tin's empty. Has been since we opened it.
Pour water into two tin mugs from the kettle, steam rising, and set one on the table in front of her without sitting.
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I know.
Jenny picks up the tin, feeling the metal cold and heavy against her palm, and looks out the window at the north ridge.
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Radio check at noon. If you're not back by two, I come up.
Lean against the doorframe, mug in hand, watching her face in the window reflection — the ridge behind her, the sea beyond that.
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I'll be back.
Jenny tucks the tin into her pocket, grips the cane with both hands, and walks toward the door.
💭 peek at the thought
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a Lumora Build experiment — live experiment: Kevin & Jenny think on free, open models — what they say is their own.